In Conversation With Tony Banks | Demonstrating The Dotted Quaver Rhythm Effect On 'Only Seventeen'

In Conversation With Tony Banks | Demonstrating the Dotted Quaver rhythm effect on 'Only Seventeen'

In Conversation With Tony Banks | Demonstrating The Polymoog Effect Used On 'From The Undertow'

In Conversation With Tony Banks | On The Use Of Drum Machines & Casio Harmonizers on 'The Fugitive'

In Conversation With Tony Banks | On Singing On 'The Fugitive' & Recording At Home

In Conversation With Tony Banks | Demonstrating the orchestration behind 'An Island In The Darkness'

In Conversation With Tony Banks | Adding the Artificial Brass Section to Still's 'The Final Curtain'

In Conversation With Tony Banks | On working with Nik Kershaw & drummer Vinnie Colaiuta on 'Still'

In Conversation With Tony Banks | On 'Soundtracks' And Working With Toyah, Jim Diamond & Fish

In Conversation With Tony Banks | Demonstrating The Use Of The ARP Quadra & Vocoder

In Conversation With Tony Banks | Nick Davis On Mixing Material People Are Already Familiar With

In Conversation With Tony Banks | On Being Proud Of His Work

TONY BANKS talks about NIK KERSHAW (2019)

DARK CORNER PRODUCTIONS

Other Influences

In Conversation With Tony Banks | How Did You Find The Remixing Process?

In Conversation With Tony Banks | On 'The Wicked Lady' & Writing Music for Film Soundtracks

In Conversation With Tony Banks | On the Commercial Differences between Genesis & Solo Material

In Conversation With Tony Banks | Demonstrating The Use Of The Emulator & Synclavier On 'Redwing'